ヒョソエ - 폭발1초전

GO CHECK OUT THE JOINT REVIEW OF 폭발1초전 OVER AT HABIT OF SEX
:3 the album will blow your fucking mind.

ＲＥＢＥＣＣＡ - BLOND SAURUS

BLOND SAURUS was ＲＥＢＥＣＣＡ's last album. it's also one of their best.

the first track is jammed pack with sex. as a mechanically manipulated voice growls "blond saurus", nokko moans/sighs, over a absolutely perfect synth track and electronic drums, as an electric guitar strums a very new wave riff in the background. and then nokko begins to sing and absolutely blows out the entire fucking track. this really gives a good indication of what the rest of the album is going to sound like; 80s pop played with synths and electric guitars. and while all of the music here is fantastic, its nokko's voice that murders me. it constantly borders between childlike innocence and full grown sexuality. it's stunning.

there's really only one stinker on this album, and that's "When You Dance With Me". it's just so, so dull. what's impressive though is nokko's control over her english pronunciations. a friend of mine pointed out before that they could have done excellently in america in the 80s if they had sung in english (as that is the primary thing that stops foreign bands from succeeding in america, or so i imagine). on the final track (which is based upon the first track, but is lighter and more dreamlike, with different lyrics) her english is perfect, even if the lyrics are kinda derpy. so what gives, ＲＥＢＥＣＣＡ? why didn't you strive for american success? oh well.

it's a fantastic album, so download this right fucking now.


1. Blond Saurus
2. Vanity Angel
3. Navy Blue
4. Cotton Love
5. Little Darling
6. Lady Lady Lady
7. Super Girl
8. Naked Color
9. When You Dance With Me
10. One Way Or Another


ENJOY

戸川京子 - B.G.

戸川京子 is perhaps best known now as being the younger sister of 戸川純 (a.k.a. god). unlike her sister, the music she performed was much more idol and much less avant-garde. all the same, there is quite a bit of experimentation on this album. a particularly favorite track for me would have to be the second track, "Hawaiiに行きたい". it begins as a very melancholic sounding ballad, but after about a minute into the song there is a very sudden transformation into this very tropical (hawaiian, to be precise) sounding piece of music. the hawaiian bit is absolutely giddy in it's sheer joy and innocence, but soon it's cut off and the ballad returns . . . only to transform back into the lei adorned ode to the popular japanese vacation spot yet again. the effect is very jarring, as your mood as a listener of this song is constantly being assaulted by these abrupt change in atmosphere and feeling. it's fantastic, of course. it's actually become one of my all time favorite songs from the genre.

ANYWAYS ON TO THE REST OF THE ALBUM. it's consistently awesome. it frustrates me ever so much that her sister, jun, shall always overshadow her. of course, jun is superior (but then, jun is superior to most musicians, no matter the genre), but that's beside the point; kyoko had plenty of talent. her willingness to be playful and weird: on the fourth track, "責任とってよ", she and a male vocalist "rap". it kinda reminds me of 塊魂's soundtrack . . . if 塊魂's soundtrack had been recorded in the 80s. oh yeah, while i'm still on this track, i think her sister can be heard shouting the chorus at about the half-way mark . . . speaking of jun, the one time on this album where kyoko really reminds me of her sister is on the track "悲しみはリアルすぎて…". she sings in a crooning, seductive sort of way (think of the way jun sings in YAPOOS' classic "Barbara Sexaroid").

over all, the album is absolutely stunningly fun to listen to. it's joyous and giddy and silly. there are few albums that cheer me up when i'm feeling the blues (which is surprisingly rare for someone who primarily blogs about post-punk and "introspective idol-pop"). this is all very bitter sweet, of course, because on a hot summer day in july of 2002 she committed suicide. this shouldn't come as a surprise to longtime fans of togawa jun; jun herself has attempted to end her life at least once (supposedly she has visible scars from said attempts).


1. 恋のエアシューター
2. Hawaiiに行きたい
3. 25ans~ヴァンサンカン~
4. 責任とってよ
5. ランチタイムラバー
6. ワンルームの鍵
7. 悲しみはリアルすぎて…
8. 未成年


ENJOY

Corina Corrina - Corina² Tour '82

so, this absolutely perfect live album by Corina Corrina was one of the last albums that the vault master posted before his blog was obliterated. so, none of the credit for this goes to me, duh. basically, i'm re-uploading this because i fear very few had the chance to download this beautiful album before it was too late.

every song on this album is a beautiful, tragic, and super adorable piece of piano driven pop. the tracks here are perfectly crafted, and each one displays intense levels of depth. and even though the vocalist has a very sweet, girlish voice (moe-like, even) she still manages to evoke great sadness.
to some extent this album/band even reminds me of After Dinner. the atmospheres that are invoked are very similar to the atmospheres that were invoked by haco and the gang on their albums.

might as well do a track-by-track review of this, considering each song really is very distinct and very, very good.

the opening piece, "Oasis", is a song that suggests taking off on some journey. the piano starts off sweet and sugary, but then when she begins to sing they take on more of a funeral march style, and the vocals build and build as they approach the chorus, which breaks and then quickly is cut back down again when the beautiful second verse begins.

track two is called "Story Of Blood". so . . . i have no idea what the lyrics are about, but they don't seem to be about any violence. instead, they seem to be longing for a lost time, or a lost love, or perhaps . . . impossible to say. but it's my favorite track on the album. as this track reaches its chorus it absolutely blows me away with how flawless the composition is. it sends shivers up and down my spine.

third track, "Soft Shoes", brightens my mood every time i listen to it. the moe voice is really put on hard here, and yet it still shakes with emotion. real, raw, believable emotion. this might actually be my favorite, because she also does a really great togawa-esque psuedo-operatic voice here. and it's. fucking. great.

fourth track! "Victory Of The Death" is another song that does not seem to be about a dark subject. certainly not the "victory of death". this almost reminds me of the title tracks from 葛生千夏's The City In The Sea; it's almost aquatic sounding, like waves brushing against a boat in the middle of a lake. it's gorgeous and dreamy and just great.

the final track begins where the fourth track leaves off (i suspect that if this is indeed a live album as the title seems to suggest, this was all recorded from the same night and let me just say i would have KILLED to see this show . . . run on sentence, like i fucking currrr). this track is actually quite a bit darker, but perhaps not bleak sounding. just . . . there's a tone of anger under the moe voice and gorgeous piano banging. so, this track's title ("All Dreams and Many Loves in a Basket") is also completely misleading. is she fucking with us at this point? this is just more of a reason for me to go learn japanese.
as the track begins to build up her voice begins to break and it cracks and she pants and nearly shouts as the piano gets faster and faster, each layer building and building so we have this wondrously furious, yet completely restrained finale that actually is probably my favorite track. actually, you know what? fuck it; all the tracks are my favorite. i can't even choose, it would be like choosing between my children (because i totally have children, right?).




1. Oasis
2. Story Of Blood
3. Soft Shoes
4. Victory Of The Death
5. All Dreams and Many Loves in a Basket


ENJOY

羅宇屋 - 桔梗

so, this is an album by the wonderful 羅宇屋. they play folk music with slight post-punk influences thrown in (as well super perfect pop elements on a few songs). the songs here use electric guitars, synths, and full drum sets with the traditional instruments (like the ever so subtle accordions) but it sounds perfectly natural. it's not like they're taking a "modern approach" to japanese folk music, but instead are simply playing folk music with modern instruments thrown in with traditional ones.

the songs all sound so exquisite, and each one is a stand-out track, so it's very hard for me to really pin-point a best song. but, i suppose if i was forced, i would pick the luscious new wave song, かように. it sounds like something out of a Studio Ghibli film (so, i guess i'm saying it sounds like it could have been composed by 久石譲). (another song i might pick out as a favorite would be the finale, which is a disco/funk song with traditional japanese folk chanting over the top of it. it's completely bizarre but works so, so well.)

anyways, you should certainly listen to this if only because there's nothing else out there that really sounds like these guys. you'll be doing yourself a disservice by not giving them a listen.



1. 人肌
2. 夏蝶
3. 百人浜
4. 明鏡止水
5. かように
6. かごめかごめ変奏曲


ENJOY

スーザン - DO YOU BELIEVE IN MAZIC

so, here's スーザン's album DO YOU BELIEVE IN MAZIC. but it may as well be a Yellow Magic Orchestra album, as the backing tracks for スーザン's sporadic shouts and girlish singing are primarily supplied by the three members of YMO. of course, it doesn't sound exactly like a YMO album; on this album they were going more for a 1960s american female pop singer sound (like Lesley Gore, Little Peggy March, or The Shangri-Las, annnnd she even does a cover of The Loving Spoonful's "Do You Believe In Magic?").

anyways, the tunes here are totally weird and uncommonly catchy. the stand-out tracks would have to be the gorgeous "FREEZIN' FISH UNDER THE MOONLIGHT (Eatin' my backbone)" (with it's post-punk bass and faux-flute), the opening track "MODERN FLOWERS IN A BOOT" (due to the fact that it's one of the catchiest fucking songs that i have ever heard, and it's totally freaky, too), and the spooky finale ("SCREAMER"). really though, every track is superb due to the flawless production on the part of the YMO boys. there's a reason why they are the gods of synth pop, and that's because they never fail to delight (whether they're working together, doing solo work, or producing for other artists).


1. Modern Flowers In A Boot
2. 24,000回のキッス
3. Dream Of You
4. Do You Believe In Magic?
5. Ah! Soka
6. Freezin' Fish Under The Moonlight (Eatin' My Backbone)
7. Glass Girl
8. It's No Time For You To Cry
9. Screamer


ENJOY

藤真利子 - 狂躁曲

this album by the actress 藤真利子 is incredibly fucking cool. it's not terribly weird or experimental (as the album cover would seem to suggest), but it's very . . . dunno, i guess it's similar to something like 原みゆき's 凛; it's weird and refreshing, but only upon a second or third listen do you realize this. for example, early on in the album the fact that she uses more traditional post-enka singing style seems to make it seem more normal. though, once you go back through you start to really notice all the completely strange production techniques going on here, and the wide array of different instruments that are being put to use.

i guess my favorite part about this album is the excellent production. it's constantly refreshing, and some of the tracks take a couple listens to really understand how complex they are. it sounds like walking through a jungle, and hearing snakes hiss and parrots caw in the distance while a butterfly with spotted wings perches on your hand.

anyways, i've been really enjoying this a lot lately, so grab it. i'm sure you'll enjoy it.



1. 薔薇
2. 花がたみ
3. 花まみれのおまえに
4. 真利子うらみうた
5. 野ざらし百鬼行
6. 折鶴秘唱
7. 雪
8. それがどうしたの
9. どんな春が
10. メルヘン
11. 鬼狂言
12. 危険な眠り
13. 裸足の伯爵夫人
14. Gemini VS Capricorn
15. 雪だより
16. シーズンオフの心には


ENJOY

中沢厚子 - ファースト・アルバム

by request, here is 中沢厚子's ファースト・アルバム. overall, this is a splendid example of pre-1980s japanese pop. its elements of enka are still fairly evident, as are its folk and blues themes. so, basically, this album doesn't do anything terribly original . . . however, it's fantastic, and i would certainly suggest this to anyone looking to get into that sort of music. her voice is very angelic and completely infectious, like a perfectly made confectionery treat.

anyways, grab this if you want to hear what most pop sounded like before idol singers became popular.


1. あなたが母を愛したように　あなたが父を愛したように
2. かぎっこ
3. 春がやってきたのに
4. 落葉の挽歌
5. 歩いて行きたいところは
6. あじさいの歌
7. 千羽鶴
8. あじさいの花の下で
9. 浜木綿の花
10. 鐘が鳴る前に
11. いつのまにか覚えてしまった言葉
12. セピア色のバラード
13. あやつり人形
14. 道草


ENJOY

ＳＯＤＯＭ - P.E. / Peak Experience

so, here's another acid house album by my favorite band, ＳＯＤＯＭ. this album is at least as fabulous their self-titled album that came after this. that's all you really need to know; if you liked ＳＯＤＯＭ then i can pretty much guarantee you'll like this.

the first track, "U Can", seems to be like an early blue-print for the fantastic performance of "Can U Acid?" (which, tragically, does not exist on any album, single, or EP that i'm aware of). it's not quite as tight or giddy as that song that i fear was only played live, but it's still really great.

the second track is a totally questionable remix (and re-recording of) their opus, "Beyond...". i'm not entirely sure what drove them to remake this song, but whatever; it's totally awesome/retarded. fortunately, it sounds like an entirely different song, so it's not really tainting the original. i've listened to it billions of times by now, of course, but it's still a goofy song.

track three ("Voice In Your Eyes" . . . what?) opens with this ridiculous synthetic strings, and just gets stupider/awesomer from there. the vocals are great, though, so this is one of my favorite tracks from the album. and basically the rest of the album keeps up with this same sort of corny-awesomeness. i can't get over how much i love this album.

also, that album cover is so excellent. it kinda reminds me of Grace Jones (and the music does have roots in disco, so this is a little fitting).


p.s. i'm almost tempted to call this a remix album, except that these are re-imaginings; all of the recordings here are fresh.


1. U Can
2. Beyond (Tom Tom Mix)
3. Voice In Your Eyes
4. Art Of Lav (Factory Style)
5. Joy & Pain
6. Castle In The Air (Sweet Dub)
7. King Of House (Groove Your Body)
8. Lovers Around (O・A Mix)
9. Egypt (Haza's Beat)


ENJOY

葛生千夏 - The City In The Sea

this album is . . . a masterpiece. it's become a regular (daily) listen for me. it's such a completely magical and majestic album. when i finally heard this album after playing her St. Agnes' Eve EP perhaps too many times (which of course is bullshit; i fully intend to continue to listen to that wonderful, wonderful, wonderful album), it was like a revelation. it was a breath of the purest air.

while the songs on the aforementioned EP are beautiful, there was always something lacking there for me. on The City In The Sea, the songs go beyond the two minute mark, and this gives them room to reach their full potential. i suppose i always thought to myself (about St. Agnes' Eve) that the songs would sound much better if only she had allowed them to breath! and on this album she does just that. in fact, the entire reason this album is so beautiful to me is the way each song builds up to the climax.

the highest point for me would most certainly be the luscious "The City In The Sea §1". the lyrics (taken from an E. A. Poe poem) speak of a watery realm inhabited by the dead, and presided over by Death himself. this song sums up the entire album for me. after a melancholic instrumental interlude, the song really begins, and starts to rise and rise to the beautiful ending of the song. the things this song does to me are indescribable. really, the whole album sounds like an ancient kingdom that has long been lost to the waves.

1. The May Queen
2. Nature Rewards Me
3. A Recent Letter
4. Fairy-Land
5. The City In The Sea §1
6. The City In The Sea §2
7. The Voyage
8. Since I Left You (Sonnet 113)
9. Eldorado
10. Eulalie - A Song
11. 真珠

ENJOY

マサ子さん - つちのこ男爵

okay, so here's another album by the always wonderful マサ子さん. this is probably my favorite album by them, as is the most concise and consistent in sound and quality. it's a beautiful masterpiece of kawaii~ chaos. this is the album that really defines マサ子さん for me, and was the very first album i ever heard by them, annnnnnd it's the album that solidified them as my favorite nagomu related band. they are the perfect combination of punk, pop, and new wave, and i don't know why i haven't spoken more about them, to be honest.

this album is fantastic from beginning to end, but the tracks that i replay the most would have to be "雨にヌレテモいーや", which is a really strange "Raindrops Keep Fallin' On My Head" homage, and "PSYNOMEY" which is just a really fucking catchy song. it kinda sound sinister, but not in a really threatening way. more in a cute way? i dunno, it's hard to explain.

anyways! grab this album ASAP, because it's one of my favorites.


0. マサ子さんのテーマ
1. LOVE:LOVE SONG
2. 花梨(リーフォア)
3. DEVO
4. Nonsense Song
5. 雨にヌレテモいーや
6. PSYNOMEY
7. 知らぬ世界
8. PUNK 花梨
9. フルーツ オレ ヨーグルト
10. 夜の都会(まち)に眠れ
11. 車からみてね


ENJOY

浜田朱里 - よろしく、朱里。

so, i'm finally updating this stupid fucking blog because i'm a stupid fucking idiot who has too many stupid fucking papers to write, etc. anyways, you get the point: stupid fucking finally updating. and this is a stupid fucking brilliant gem of an album that i'm handing over to you now, i might mention. 浜田朱里 has become my own personal goddess. she's . . . cute, she's mysterious, she's gravure . . . i can't stop praising her. she's that great.

my favorite song on this album is likely the second track "あなたに熱中". it's gorgeous. but also, all of the tracks are gorgeous, so what am i even talking about. her voice is so genki. the music that accompanies her is, too. it's catchy, upbeat, and absolutely fun to listen to.

a second favorite (it's more likely on par with the first "favorite" that i mentioned) would be the title track (of sorts) which is first glimpsed at on the weird opening track.

it's . . . i dunno, i really just can't explain how much i love her. she's pure magic.



1. INTRODUCTION -YOROSHIKU-
2. あなたに熱中
3. わたしだけのコイビト
4. ほほえみ乾杯
5. 恋のレッスン2
6. さよならしたくない
7. さよなら好き
8. 処女航海
9. 冬色のガラス
10. 秋のシルエット
11. よろしく


ENJOY

山口百恵 - としごろ

by request, here's としごろ by 山口百恵. she was one of the most successful idol pop singers from the 1970s (if not the most successful). her first album (this one) came out when she was only thirteen years-old (1973). which is absolutely fucking crazy, considering this is not the voice of a thirteen year-old girl. it's simply far too deep. and yet, it's her alright; her voice only got stronger and deeper as she got older (until her last album, which came out in 1980). on this album, though, her voice is already huskier than most adult women.


1. としごろ
2. ひとりぼっちのあなた
3. 叱らないでね
4. 文通
5. 明日はいいことが…
6. あのひと
7. バケイション
8. 悲しき16才
9. 可愛いベイビー
10. レモンのキッス
1. としごろ
2. 叱らないでね


ENJOY

美輪明宏 - 全曲集

美輪明宏 is an enka and cabaret singer of the highest order. she is everything a drag queen enka/cabaret (they went hand-in-hand in the 1960s) singer should be; luxurious, dramatic, fabulous, and most importantly: long suffering. she was even romantically involved with the late, great 三島由紀夫 (Mishima Yukio) at one point. Mishima was very proud of his lady-boyfriend (lol wordplay), too, to the point that he insisted that she was a must for the titular role of the film adaptation of his play Black Lizard (which is a great movie, by the way. if you haven't seen it then you should really make a point to do so at once). they were apparently involved for quite some time, too (although, of course, Mishima's family denies any and all allegations about his homosexuality)(also, i've always found it odd that they were so involved, considering Mishima always emphasized the beauty of masculinity in his writings).

ANYWAYS, concerning the music here, it is very sensuous and incredibly ridiculous. at some points she will trail off from singing and go into long, dramatic, pained spoken-word rants. they are very intense monologues, and very convincing, too (which i guess is why Miyazaki Hayao has cast her in at least two of his films). the mood of the music can fluctuate very quickly, too. it's really thrilling.

i think my favorite track presented in this collection would have to be the final track. she really displays just how powerful her voice (and acting) is here. my favorite part, actually, is the monologue. she whispers and and grumbles at first, but then her voice rises to a scream of anguish and frustration near the end of the monologue.


1. 愛の讃歌
2. メケ・メケ
3. 人の気も知らないで
4. 水に流して
5. 毛皮のマリー
6. ヨイトマケの唄
7. ボン・ボヤージュ
8. 人生は過ぎ行く
9. ふるさとの空の下で
10. 黒蜥蜴の唄
11. ラストダンスは私と
12. ラ・ボエーム
13. 愛のボレロ
14. 喫茶店の片隅で
15. 花(すべての人の心に花を)
16. 老女優は去りゆく


ENJOY

小沢なつき - ＮＡＴＳＵＫＩ ＤＲＥＡＭＩＮＧ

小沢なつき is a somewhat unappreciated idol pop singer. as far as i'm concerned, this is simply her best album. it's a perfect example of what a good idol pop album should sound like, and i have recently started suggesting it as a good starting point. it's that good. sure, there's not much experimentation or doom and gloom here, but it's just really, really, really consistently good. also, her voice has plenty of range (she can do an alto and a mezzo-saprano, but i guess my only complaint is that she didn't do more alto vocals).

anyways, there are some songs here that stand out here as some of the best idol pop songs (like "Herself", "風のデッサン" or "Blessing rain").


1.不思議Liberty
2.そ.の時、彼は・・・
3.きれい？
4.Herself
5.猫の休日
6.彼女になるまで
7.卒業
8.裸の天使
9.風のデッサン
10.Blessing rain


ENJOY

原みゆき - 凛

more introspective idol-pop! really, it's like this pseudo-genre was made for me. anyways, here's an album by the lovely 原みゆき. this album has a very delicate, relaxed feel to it. unlike previous "introspective idol-pop" that i've posted, there's no deep misery here; just serene, calm, meditative swaying in a gentle breeze. the percussion and singing here is what really gets to me, but the gently echoing guitars are also very lovely. track 5 (ゆらり ゆらり) is probably the only one that seems more melancholic, but that might be because she sings in an almost enka-like manor.

really, just overall, this is one of my favorite pop albums from the 80s. it's flawless from start to finish. completely hypnotizing, completely absorbing in its beauty.

anyways, this is just a criminally under appreciated album that you really need to go download right now.


1. 愛にゆきたい
2. 太郎と呼ぶ
3. 日曜日のテーブル
4. 凛
5. ゆらりゆらり
6. ゆでたまごと僕
7. 恋人未満デ
8. サイはフラなきゃ!?
9. 五月日和
10. もう夏が来るなんて


ENJOY

ＲＥＢＥＣＣＡ - WILD&HONEY

WILD&HONEY is one of the best albums that the legendary pop group ＲＥＢＥＣＣＡ ever put out. there's so much fucking energy on this album, so much aggressive passion. this has to be my favorite album by ＲＥＢＥＣＣＡ, because every track is solid. it's really a masterpiece, and i can't put into words how much i love this album. this video should sum up it's greatness:



1. WILD EYES
2. LOVE PASSION
3. FREEWAY SYMPHONY
4. LOVE IS CASH
5. 蜃気楼
6. NEVER TOO LATE


ENJOY

ORDINARY VENUS - ORDINARY VENUS

ORDINARY VENUS was a pop duo, fronted by 西脇彩華 (who previously sang with the idol group 9nine). the other member of the band was the brilliant 石井秀仁. so, while this is clearly a pop album of the highest order, it still has new wave and post-disco influences, courtesy of the cali≠gari vocalist. the songs here are very kawaii, and very genki. it almost feels like an idol denpa record.

i think the highlight for me on this album would have to be the opening track "I Don't Know !" or the epic ninth track, "Dream Rush". they're both so perfectly crafted, i feel like i could listen to them a million times without getting bored.


1. I Don't Know!
2. 赤道小町ドキッ
3. 白いパラソル
4. 慟哭
5. 愛が止まらない
6. はいからさんが通る
7. CHA-CHA-CHA
8. スローモーション
9. DREAM RUSH
10. 夏色のナンシー


ENJOY

マサ子さん - MONKEYS WAX

MONKEYS WAX is an album by beyond perfect nagomu signed マサ子さん. マサ子さん were a really weird, really cute, really spastic pop band that had a super cutesy little girl stage persona, and they all were just too impossibly cute for words to accurately describe. the music is completely silly and completely absorbing in its higher levels of complexity. the really long tracks here are perhaps completely out of character, but they sound so, so, so good. like the week i found this album it was pretty much all i listened to. it's that cute/good/wonderful/perfect/flawless.

in between the tracks there are these weird backwards hissing sounds that only last like a second or two. weird, but it really makes the whole thing feel like some sort of weird children's saturday morning cartoon show (not that that's how they do it in glorious nippon, but you know what i'm getting at). this is the soundtrack to my ideal childhood. when i finally finish my time machine (school is really getting in the way . . . ) i plan to only have this album (and their other albums, sure) on repeat the entire time i am reliving my precious early years. yep. for sure that will actually work. :3 WE CAN ALL HAVE 1990S WACKY J-POP INSPIRED DREAMS (even you, if you listen to this album now).

YATTAAAAAAAAA!!!


1. 10cmの鯨
2. 僕らのE・W
3. PINHOLE HEAVEN
4. -
5. message・song
6. クリスタル・パパ
7. -
8. DOT HEAVEN
9. -
10. 二年生
11. -
12. 猿のワックス


ENJOY

ミシン - 走れ馬車馬

so, here's an excellent little post-punk album by ミシン. they were signed to nagomu, as far as i know, and only put out three releases (this, plus two little EPs). their sound kinda reminds me of The Cure's first album Boys Don't Cry, but much more interesting (probably due to the weird awkwardness; nagomu pretty much only signed bands who were kinda awkward, as i'm sure you all know by now). there's a building intensity on this entire album, like there's something laying right underneath that is about to explode. a primal scream, per say.

anyways, this is a really wonderful album. download this now.


1. 走れ馬車馬
2. パートさんの手紙
3. Jamaican Eskimo
4. 険しい等高線
5. ペーター牧場へ行く
6. 南極観測隊員


ENJOY