tag:blogger.com,1999:blog-10191754839608309232024-03-12T18:25:20.520-07:00A SOFTLY SLEEPING ROSELoser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.comBlogger170125truetag:blogger.com,1999:blog-1019175483960830923.post-29294027944878156792012-04-21T17:37:00.000-07:002012-04-22T11:36:35.342-07:00野路由紀子 - 北信濃絶唱<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4l1fUC4Ro5ZorEG9wxwJSW8HM8Zc2aRlYklQR2QoMTgwm30bPep8DQ0Ek6R8_blmvCXxYhPtlZpZGW7PlmE2K4qSV5GyswfyL1JVzAiYwbEAFHXSdMhRpQjwHIVhZS7DElzLKlDF3lOM/s1600/sLXTi.jpg" imageanchor="1" style=""><img border="0" height="300" width="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4l1fUC4Ro5ZorEG9wxwJSW8HM8Zc2aRlYklQR2QoMTgwm30bPep8DQ0Ek6R8_blmvCXxYhPtlZpZGW7PlmE2K4qSV5GyswfyL1JVzAiYwbEAFHXSdMhRpQjwHIVhZS7DElzLKlDF3lOM/s320/sLXTi.jpg" /></a></div>
野路由紀子 was an enka singer from the 1970s. enka is forever a genre that i will find to be particularly spooky. something about it just sends chills up and down my spine, particularly when it's done well (like on this record).
it's hard to say there are really any standout tracks on this album, but overall the album is really fantastic. perhaps the standout for me, if i had to pick one, would be track eight. there's something really weird about it that i love the shit out of. it might be the creepy saxophone, and something about the filter on her voice is just really strange to me.
1.北信濃絶唱
2.北国慕情
3.ふるさとは遠いけど
4.小っちゃな恋の思い出
5.初恋は京都のひと
6.さざんかの花咲く頃
7.下町育ち
8.他人船
9.北上夜曲
10.長崎の夜はむらさき
11.北帰行
12.由紀子のふるさと日記
<a href="http://www.mediafire.com/?7bh8w7w9mr5rs4n">ENJOY</a>Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com8tag:blogger.com,1999:blog-1019175483960830923.post-46443820518485703502012-04-13T14:07:00.003-07:002012-04-13T14:20:21.491-07:00ヒョソエ - 폭발1초전<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPO5EReZbBdiewB2PWX5KYJDrH34CW-B8W7POhHxu9sUwRmlf2icI9t5rHeJqiUsXTYrjprZgMnKq3h8TnPezWpqhtTWFSPiT512Ohv6HXBmpQcBRyQAjvHhoD7YIS9pqnZ0XWr514PFY/s1600/1.png"><img style="cursor:pointer; cursor:hand;width: 320px; height: 278px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPO5EReZbBdiewB2PWX5KYJDrH34CW-B8W7POhHxu9sUwRmlf2icI9t5rHeJqiUsXTYrjprZgMnKq3h8TnPezWpqhtTWFSPiT512Ohv6HXBmpQcBRyQAjvHhoD7YIS9pqnZ0XWr514PFY/s320/1.png" border="0" alt=""id="BLOGGER_PHOTO_ID_5730995682423728722" /></a><br /><br /><a href="http://habitofsex.blogspot.com/2012/04/hyone-pokbar-1-chojeon-1-cd-199.html">GO CHECK OUT THE JOINT REVIEW OF 폭발1초전 OVER AT HABIT OF SEX</a><br />:3 the album will blow your fucking mind.Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com1tag:blogger.com,1999:blog-1019175483960830923.post-6497493630116459512012-03-29T19:13:00.004-07:002012-03-29T19:56:10.054-07:00REBECCA - BLOND SAURUS<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQdQSNaXHr-mLgNcS5flj0zQL_zRdXg24QrQcZKJzZAdiR7iRN6je1BOSCShQnUpvtFmWJFthFrHas2w-2eHVIuB4__q7TYt76BkhpVZQclEB4ocjDfC334U0IVJoiImc9KUoAKnbFSS8/s1600/51ofZQ-bEcL._SL500_AA300_.jpg"><img style="cursor:pointer; cursor:hand;width: 300px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQdQSNaXHr-mLgNcS5flj0zQL_zRdXg24QrQcZKJzZAdiR7iRN6je1BOSCShQnUpvtFmWJFthFrHas2w-2eHVIuB4__q7TYt76BkhpVZQclEB4ocjDfC334U0IVJoiImc9KUoAKnbFSS8/s320/51ofZQ-bEcL._SL500_AA300_.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5725508263248544674" /></a><br /><span style="font-style:italic;">BLOND SAURUS</span> was REBECCA's last album. it's also one of their best. <br /><br />the first track is jammed pack with <span style="font-style:italic;">sex</span>. as a mechanically manipulated voice growls "blond saurus", nokko moans/sighs, over a absolutely perfect synth track and electronic drums, as an electric guitar strums a very new wave riff in the background. and then nokko begins to sing and absolutely blows out the entire fucking track. this really gives a good indication of what the rest of the album is going to sound like; 80s pop played with synths and electric guitars. and while all of the music here is fantastic, its nokko's voice that murders me. it constantly borders between childlike innocence and full grown sexuality. it's stunning. <br /><br />there's really only one stinker on this album, and that's "When You Dance With Me". it's just so, so dull. what's impressive though is nokko's control over her english pronunciations. a friend of mine pointed out before that they could have done excellently in america in the 80s if they had sung in english (as that is the primary thing that stops foreign bands from succeeding in america, or so i imagine). on the final track (which is based upon the first track, but is lighter and more dreamlike, with different lyrics) her english is perfect, even if the lyrics are kinda derpy. so what gives, REBECCA? why didn't you strive for american success? oh well.<br /><br />it's a fantastic album, so download this right fucking now.<br /><br /><br />1. Blond Saurus <br />2. Vanity Angel <br />3. Navy Blue <br />4. Cotton Love <br />5. Little Darling <br />6. Lady Lady Lady <br />7. Super Girl <br />8. Naked Color <br />9. When You Dance With Me <br />10. One Way Or Another <br /><br /><br /><a href="http://www.mediafire.com/?w4wrqrg7il3kkq3">ENJOY</a>Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com0tag:blogger.com,1999:blog-1019175483960830923.post-67424383543247223592012-03-29T18:57:00.002-07:002012-03-29T19:11:02.552-07:00Mark Berndt - In Memory of Steve☭Jobs<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy_PzdwdcJT9fFg5mbeGhkMMiX9j8NrPL5QRRerTxG0ZTTPlzMfcRoJsEkEAHw91s8C7ydKmjJ5aC7p_g0IFRiuinm1UB9Vgt8X0UiXn37zyu9zb_r4bjD9DNvPNcEGF17sw41PFWWmKY/s1600/2901064491-1.jpg"><img style="cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy_PzdwdcJT9fFg5mbeGhkMMiX9j8NrPL5QRRerTxG0ZTTPlzMfcRoJsEkEAHw91s8C7ydKmjJ5aC7p_g0IFRiuinm1UB9Vgt8X0UiXn37zyu9zb_r4bjD9DNvPNcEGF17sw41PFWWmKY/s320/2901064491-1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5725503564301124050" /></a><br />here is an album i've recently enjoyed by a group (?) known as Mark Berndt. his/their name is a direct reference to one Mark Berndt of LA, who was a school teacher. he taught latino children, as far as i know (meaning children who were still learning english). while he had been described as a very good teacher, in february he began taking pictures of his students. in these pictures, the tied up children could be seen with cockroaches crawling upon their faces, as well as semen being spoon fed to them. mark was clearly living the dream . . . or, at least until he got caught.<br /><br />anyways, this is a noise project dedicated to him. overall it is a pretty damn good album, and while i can't say it really makes me think of the man it's dedicated to (very rarely can a noise concept album capture a concept while remaining so harsh throughout). the album mostly seems to be made up of very harsh feedback, distortion, and what sounds to me like banging and crashing metal. it begins with two fairly short pieces (the first almost sounding like a mentally challenged Masonna) and then moves on to the real meat of the album: a thirty minute long track entitled "Bitch Can Fucking Die (1: I Don't Want Your Pity, 2: I'll Return The Pain You Caused To Me)". <br /><br /><br />1. Coprophagia<br />2. Santorum x Santorum<br />3. Bitch Can Fucking Die (1: I Don't Want Your Pity, 2: I'll Return The Pain You Caused To Me) <br /><br /><br /><a href="http://markxberndt.bandcamp.com/">ENJOY</a>Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com0tag:blogger.com,1999:blog-1019175483960830923.post-5039442889643182502012-03-26T13:37:00.002-07:002012-03-26T14:44:34.371-07:00戸川京子 - B.G.<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPpeyyLSm49C4nQxsi-Z-JvlDUyI8CwMrQMBSGmAQDAcmaymw9wgyiQBrzM41oWBzX16uHrNAphdU1hGcSJ_Db4v2CuokMvRx4pbDEQDRTibQLJ72cxzAMdTh3THZ_9kRz4wl4y8tS0U0/s1600/31y7phRutSL._SL500_AA300_.jpg"><img style="cursor:pointer; cursor:hand;width: 300px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPpeyyLSm49C4nQxsi-Z-JvlDUyI8CwMrQMBSGmAQDAcmaymw9wgyiQBrzM41oWBzX16uHrNAphdU1hGcSJ_Db4v2CuokMvRx4pbDEQDRTibQLJ72cxzAMdTh3THZ_9kRz4wl4y8tS0U0/s320/31y7phRutSL._SL500_AA300_.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5724309750572260194" /></a><br />戸川京子 is perhaps best known now as being the younger sister of 戸川純 (a.k.a. god). unlike her sister, the music she performed was much more idol and much less avant-garde. all the same, there is quite a bit of experimentation on this album. a particularly favorite track for me would have to be the second track, "Hawaiiに行きたい". it begins as a very melancholic sounding ballad, but after about a minute into the song there is a very sudden transformation into this very tropical (hawaiian, to be precise) sounding piece of music. the hawaiian bit is absolutely giddy in it's sheer joy and innocence, but soon it's cut off and the ballad returns . . . only to transform back into the lei adorned ode to the popular japanese vacation spot yet again. the effect is very jarring, as your mood as a listener of this song is constantly being assaulted by these abrupt change in atmosphere and feeling. it's fantastic, of course. it's actually become one of my all time favorite songs from the genre.<br /><br />ANYWAYS ON TO THE REST OF THE ALBUM. it's consistently awesome. it frustrates me ever so much that her sister, jun, shall always overshadow her. of course, jun is superior (but then, jun is superior to most musicians, no matter the genre), but that's beside the point; kyoko had plenty of talent. her willingness to be playful and weird: on the fourth track, "責任とってよ", she and a male vocalist "rap". it kinda reminds me of <span style="font-style:italic;">塊魂</span>'s soundtrack . . . if <span style="font-style:italic;">塊魂</span>'s soundtrack had been recorded in the 80s. oh yeah, while i'm still on this track, i think her sister can be heard shouting the chorus at about the half-way mark . . . speaking of jun, the one time on this album where kyoko really reminds me of her sister is on the track "悲しみはリアルすぎて…". she sings in a crooning, seductive sort of way (think of the way jun sings in YAPOOS' classic "Barbara Sexaroid"). <br /><br />over all, the album is absolutely stunningly fun to listen to. it's joyous and giddy and silly. there are few albums that cheer me up when i'm feeling the blues (which is surprisingly rare for someone who primarily blogs about post-punk and "introspective idol-pop"). this is all very bitter sweet, of course, because on a hot summer day in july of 2002 she committed suicide. this shouldn't come as a surprise to longtime fans of togawa jun; jun herself has attempted to end her life at least once (supposedly she has visible scars from said attempts). <br /><br /><br />1. 恋のエアシューター<br />2. Hawaiiに行きたい <br />3. 25ans~ヴァンサンカン~ <br />4. 責任とってよ <br />5. ランチタイムラバー <br />6. ワンルームの鍵 <br />7. 悲しみはリアルすぎて… <br />8. 未成年<br /><br /><br /><a href="http://www.mediafire.com/?enaeddg3ccba489">ENJOY</a>Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com6tag:blogger.com,1999:blog-1019175483960830923.post-63776317153390157552012-03-22T23:23:00.003-07:002012-03-22T23:53:42.080-07:00Pedestrian Deposit - Vestige<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl8V4Y07ZeOjqhSteZ1j_E2YUso2bLj6jpSHdeHwObP3kvPg9X_CankH6pubw9YBo2hjEJXLpD8FOLHrf78IqzofNQkKebibwRbepW3BFvfL0UJyzDoq_VB_Ex2HO_R1LqSNsEh7OG_sg/s1600/R-818136-1162824990.jpeg"><img style="cursor:pointer; cursor:hand;width: 318px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl8V4Y07ZeOjqhSteZ1j_E2YUso2bLj6jpSHdeHwObP3kvPg9X_CankH6pubw9YBo2hjEJXLpD8FOLHrf78IqzofNQkKebibwRbepW3BFvfL0UJyzDoq_VB_Ex2HO_R1LqSNsEh7OG_sg/s320/R-818136-1162824990.jpeg" border="0" alt=""id="BLOGGER_PHOTO_ID_5722974495091689026" /></a><br />by request, here's an album by the noise project Pedestrian Deposit. because of their use of ambient calm between harsh waves of noise they really create a rather lovely sound, as opposed to one that is threatening (like a good portion of the noise i enjoy). this album is a particularly good example of their sound. <br /><br />the first track, "Angora", begins with some sort of looped string sample, reversed. it's not unpleasant. this is quickly cut short by loud blasts of feedback, which then falters for but a moment before starting up again in full force. the track stutters and can't decide if it wants to be an ambient piece or a noise piece, and the effect it has upon my ears as i listen is very jarring. i get drawn in towards the haunting ambient bits only to be slapped across the face when, out of nowhere, the noise portions of the track blast out of nowhere yet again. the track ends with a very soft ambient blipping sound.<br /><br />track two: "Ideal". we begin with a crumbling sound that quickly degenerates into a buzzing whine, which then fades away into a echoing ambiance, and after about a minute or so into the track we are treated with a melancholic guitar strumming, surrounded by what sounds like rain falling in the distance. the guitar mutates into a synthesizer, and it's an absolutely beautiful sound. it finally mutates again so that it's clear that it's a guitar, but now the sound is reversed (it's still playing the same repeating tune, so it's very strange sounding).<br /><br />track three, "An Examination", is the real centerpiece for this album. it begins with a very high pitched feedback sound, layered under and over a crackling static sound. it's not terribly loud at first, but soon fixes itself, and the track roars to life. around the two minute mark there is this fascinating whirring sound going on that i have to sit up and listen to any time i hear it. <br />by the time three minutes have passed, the sounds become more natural sounding. we hear echos of metal crashing and scraping against metal. this is the sound of an construction site cannibalizing itself. <br /><br />track four, "Asphyxiate", is a rather spooky ambient piece. for the most part it is a rather long build up, until around the four minute mark where we start to hear some gorgeous melodies playing below the rumbling industrial sounds (by industrial i mean like a warehouse). the track comes to and end with the sound of blowing wind and a light tinkling glass sound, as well as church bells. <br /><br />the final track, "Materialism", is another beautiful ambient track. there is certainly a chord progression here, but it's rather subtle. if you're listening close enough you'll get to hear a very lovely song. probably my favorite track on the album.<br /><br /><br /><br />1. Angora <br />2. Ideal <br />3. An Examination <br />4. Asphyxiate <br />5. Materialism<br /><br /><br /><a href="http://www.mediafire.com/?pcffjv8sh0hgk6x">ENJOY</a>Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com3tag:blogger.com,1999:blog-1019175483960830923.post-28621846111174990112012-03-11T20:17:00.002-07:002012-03-11T20:33:02.295-07:00GRIM - AMATERASU<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7RmmIHMBwzSq1rcpQsDhUrQ64tSybDi8RF8jpHKT8hol439s42rF0qtTcWXgAlM7ADgnE-eOb9D2fbU3Knu7z3Czjr0EXymrWnc7bwkQzwbZTqv-V3z8uoLUfVKEw8iKN3yFBZ3JYf7M/s1600/R-482820-1197807287.jpeg"><img style="cursor:pointer; cursor:hand;width: 320px; height: 309px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7RmmIHMBwzSq1rcpQsDhUrQ64tSybDi8RF8jpHKT8hol439s42rF0qtTcWXgAlM7ADgnE-eOb9D2fbU3Knu7z3Czjr0EXymrWnc7bwkQzwbZTqv-V3z8uoLUfVKEw8iKN3yFBZ3JYf7M/s320/R-482820-1197807287.jpeg" border="0" alt=""id="BLOGGER_PHOTO_ID_5718844710149568530" /></a><br />this is an EP by the infinitely awesome <a href="http://asoftlysleepingrose.blogspot.com/2011/08/folk-music.html">GRIM</a>. this EP is very much like the full length album <span style="font-style:italic;">Folk Music</span>, so for those who have heard that you should know what to expect: tribal+ militaristic drumming over feedback and guttural power electronics barking. <br /><br />the three tracks presented here are some of my favorites from this project. track one and three are loud, rolling power electronics death marches, with ear-splitting feedback and militaristic percussion. track two (the title track), however, is a strangely beautiful ambient track. it sounds like a morgue. most fascinating here is the very subtle chanting that can be heard swimming under the track. you really have to focus to hear it, but it's quite lovely (even konagaya's ridiculous belching sounds are enthralling once you get used to them). <br /><br /><br />1. NOBLE FOLK<br />2. AMATERASU<br />3. YONPAKUGAN<br /><br /><br /><a href="http://www.mediafire.com/?a4lwy5r9al37gxn">ENJOY</a>Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com3tag:blogger.com,1999:blog-1019175483960830923.post-11331348657502078812012-03-04T19:13:00.003-08:002012-03-04T19:49:03.162-08:00阿部薫 - 光輝く忍耐<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6LiyPFYOkhsZgdwlw5rqYWBv4mQJPrA6RtbI6YzU0rRyynmqxLLizpX7WmAfxgwcKcpCK3uMWrNp2rSiZFUwxLndT4Izc2gOjvC2xXPcc9AgBt4eSbwy9MhF-ZAi5tFEV_iPvpl0zVLI/s1600/abe1977.png"><img style="cursor:pointer; cursor:hand;width: 308px; height: 228px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6LiyPFYOkhsZgdwlw5rqYWBv4mQJPrA6RtbI6YzU0rRyynmqxLLizpX7WmAfxgwcKcpCK3uMWrNp2rSiZFUwxLndT4Izc2gOjvC2xXPcc9AgBt4eSbwy9MhF-ZAi5tFEV_iPvpl0zVLI/s320/abe1977.png" border="0" alt=""id="BLOGGER_PHOTO_ID_5716248740243543426" /></a><br />as requested, here as an album by the legendary 阿部薫. this is, as far as i'm concerned, his best work. it was recorded in what i imagine was one take on april 11, 1972. it is a raw, furious piece of jazzy jazz music. it was also one of the last pieces that he recorded before his early death in 1978. each track on here is a chaotic piece of music. it is jazz stretched and mutilated so much that it's nearly noise music (indeed, some early hijokaiden sounds very similar to this). <br /><br />anyways, check it out.<br /><br /><br />1. 1972.4.11 Alto 1<br />2. 1972.4.11 Alto 2<br />3. 1972.4.11 Alto 3<br /><br /><br /><a href="http://www.mediafire.com/?osvyipaa7dul1ip">ENJOY</a>Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com2tag:blogger.com,1999:blog-1019175483960830923.post-55648255567911477152012-02-21T20:11:00.000-08:002012-02-22T01:55:00.287-08:00Corina Corrina - Corina² Tour '82<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqRRD9YCZXJ5QX4mGz4qL9UiTpRRI-HJeWrvhAjntAmPYHJgSAYVBc-fCYz61jcw3Zt98a_-luWWuB5jfE1VEFUwbat0mlIAh0VtyjaZpODA_fOlfywHliN1QPTZZZ-uEHF7dIIfQKXZQ/s1600/CarinaCorrina_front.jpg"><img style="cursor:pointer; cursor:hand;width: 311px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqRRD9YCZXJ5QX4mGz4qL9UiTpRRI-HJeWrvhAjntAmPYHJgSAYVBc-fCYz61jcw3Zt98a_-luWWuB5jfE1VEFUwbat0mlIAh0VtyjaZpODA_fOlfywHliN1QPTZZZ-uEHF7dIIfQKXZQ/s320/CarinaCorrina_front.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5711808314658186818" /></a><br /><br />so, this absolutely perfect live album by Corina Corrina was one of the last albums that the vault master posted before his blog was obliterated. so, none of the credit for this goes to me, duh. basically, i'm re-uploading this because i fear very few had the chance to download this beautiful album before it was too late. <br /><br />every song on this album is a beautiful, tragic, and super adorable piece of piano driven pop. the tracks here are perfectly crafted, and each one displays intense levels of depth. and even though the vocalist has a very sweet, girlish voice (moe-like, even) she still manages to evoke great sadness. <br />to some extent this album/band even reminds me of After Dinner. the atmospheres that are invoked are very similar to the atmospheres that were invoked by haco and the gang on their albums.<br /><br />might as well do a track-by-track review of this, considering each song really is very distinct and very, very good. <br /><br />the opening piece, "Oasis", is a song that suggests taking off on some journey. the piano starts off sweet and sugary, but then when she begins to sing they take on more of a funeral march style, and the vocals build and build as they approach the chorus, which breaks and then quickly is cut back down again when the beautiful second verse begins. <br /><br />track two is called "Story Of Blood". so . . . i have no idea what the lyrics are about, but they don't seem to be about any violence. instead, they seem to be longing for a lost time, or a lost love, or perhaps . . . impossible to say. but it's my favorite track on the album. as this track reaches its chorus it absolutely blows me away with how flawless the composition is. it sends shivers up and down my spine. <br /><br />third track, "Soft Shoes", brightens my mood every time i listen to it. the moe voice is really put on hard here, and yet it still shakes with emotion. real, raw, believable emotion. this might actually be my favorite, because she also does a really great togawa-esque psuedo-operatic voice here. and it's. fucking. great. <br /><br />fourth track! "Victory Of The Death" is another song that does not seem to be about a dark subject. certainly not the "victory of death". this almost reminds me of the title tracks from 葛生千夏's <span style="font-style:italic;">The City In The Sea</span>; it's almost aquatic sounding, like waves brushing against a boat in the middle of a lake. it's gorgeous and dreamy and just great.<br /><br />the final track begins where the fourth track leaves off (i suspect that if this is indeed a live album as the title seems to suggest, this was all recorded from the same night and let me just say i would have KILLED to see this show . . . run on sentence, like i fucking currrr). this track is actually quite a bit darker, but perhaps not bleak sounding. just . . . there's a tone of anger under the moe voice and gorgeous piano banging. so, this track's title ("All Dreams and Many Loves in a Basket") is also completely misleading. is she fucking with us at this point? this is just more of a reason for me to go learn japanese. <br />as the track begins to build up her voice begins to break and it cracks and she pants and nearly shouts as the piano gets faster and faster, each layer building and building so we have this wondrously furious, yet completely restrained finale that actually is probably my favorite track. actually, you know what? fuck it; all the tracks are my favorite. i can't even choose, it would be like choosing between my children (because i totally have children, right?). <br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDPJsCUTf-MbxGb4ehbUhiqpxxTjC13J4_De1IYefgeuPzlyTp6lBgtqifjS5RMoPmGrDrsoBC_iij0j8vJyPXBbE6E3hRsPrb35cPS-71xYyYqhzVPPAjXSIKskEjazTvROm7qciRFdo/s1600/Corina%252BCorrina%252Bcorrina.jpg"><img style="cursor:pointer; cursor:hand;width: 259px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDPJsCUTf-MbxGb4ehbUhiqpxxTjC13J4_De1IYefgeuPzlyTp6lBgtqifjS5RMoPmGrDrsoBC_iij0j8vJyPXBbE6E3hRsPrb35cPS-71xYyYqhzVPPAjXSIKskEjazTvROm7qciRFdo/s320/Corina%252BCorrina%252Bcorrina.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5711896042019531234" /></a><br /><br /><br />1. Oasis<br />2. Story Of Blood<br />3. Soft Shoes<br />4. Victory Of The Death<br />5. All Dreams and Many Loves in a Basket<br /><br /><br /><a href="http://www.mediafire.com/?pache7vp7p84c87">ENJOY</a>Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com1tag:blogger.com,1999:blog-1019175483960830923.post-16981688837758490602012-02-11T12:02:00.000-08:002012-02-11T12:18:56.575-08:00羅宇屋 - 桔梗<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir2rvBhIpgx2NxwqfRISBW7-zBvwEBsDNWBR_dz_xN8aG7kEXmsxSc3HV1SS-GDQKEW6MF3ZFDhzaW5TTyS4S9260j8p6tuJS-4vuC1ywaugg8WkeaBWOmtd0XCOSOkWVT0NksfwFZpgE/s1600/38309229.jpg"><img style="cursor:pointer; cursor:hand;width: 320px; height: 224px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir2rvBhIpgx2NxwqfRISBW7-zBvwEBsDNWBR_dz_xN8aG7kEXmsxSc3HV1SS-GDQKEW6MF3ZFDhzaW5TTyS4S9260j8p6tuJS-4vuC1ywaugg8WkeaBWOmtd0XCOSOkWVT0NksfwFZpgE/s320/38309229.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5707972219367790546" /></a><br /><br />so, this is an album by the wonderful 羅宇屋. they play folk music with slight post-punk influences thrown in (as well super perfect pop elements on a few songs). the songs here use electric guitars, synths, and full drum sets with the traditional instruments (like the ever so subtle accordions) but it sounds perfectly natural. it's not like they're taking a "modern approach" to japanese folk music, but instead are simply playing folk music with modern instruments thrown in with traditional ones. <br /><br />the songs all sound so exquisite, and each one is a stand-out track, so it's very hard for me to really pin-point a best song. but, i suppose if i was forced, i would pick the luscious new wave song, かように. it sounds like something out of a Studio Ghibli film (so, i guess i'm saying it sounds like it could have been composed by 久石譲). (another song i might pick out as a favorite would be the finale, which is a disco/funk song with traditional japanese folk chanting over the top of it. it's completely bizarre but works so, so well.) <br /><br />anyways, you should certainly listen to this if only because there's nothing else out there that really sounds like these guys. you'll be doing yourself a disservice by not giving them a listen. <br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBTiG-yET6PRPwu_9t1WCQii9mPprQBTBXrZcpm73Gmjo82DePlGd53QQDuIGW8F5S193MiRxUj1_b_FKFwWOPnRxNsKldyOLK_Bv3iW4JCUxmv1BzkTFz9CMRwqSWy9lxWaJAg2pUY5k/s1600/148889.jpg"><img style="cursor:pointer; cursor:hand;width: 320px; height: 210px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBTiG-yET6PRPwu_9t1WCQii9mPprQBTBXrZcpm73Gmjo82DePlGd53QQDuIGW8F5S193MiRxUj1_b_FKFwWOPnRxNsKldyOLK_Bv3iW4JCUxmv1BzkTFz9CMRwqSWy9lxWaJAg2pUY5k/s320/148889.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5707972156689249858" /></a><br /><br />1. 人肌<br />2. 夏蝶<br />3. 百人浜<br />4. 明鏡止水<br />5. かように<br />6. かごめかごめ変奏曲<br /><br /><br /><a href="http://www.mediafire.com/?peiek89zti7wpgy">ENJOY</a>Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com5tag:blogger.com,1999:blog-1019175483960830923.post-74163499627536638422012-02-05T12:36:00.000-08:002012-02-05T13:01:55.562-08:00スーザン - DO YOU BELIEVE IN MAZIC<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwQ1XePAYj1OufFbERKN6SgEHnLtPT8vo3FLXLYBYu97LJLKr6EjdCaE4XcQf5RhI3qaieJ6_qJLB7M74W2TqQ-zb0aderYkDrvxDhkYkr4a0WQ3SzjW5ZF5EodoTiP7TFISGXclyxudM/s1600/R-101694-1112381363.jpg"><img style="cursor:pointer; cursor:hand;width: 300px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwQ1XePAYj1OufFbERKN6SgEHnLtPT8vo3FLXLYBYu97LJLKr6EjdCaE4XcQf5RhI3qaieJ6_qJLB7M74W2TqQ-zb0aderYkDrvxDhkYkr4a0WQ3SzjW5ZF5EodoTiP7TFISGXclyxudM/s320/R-101694-1112381363.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5705754122035929106" /></a><br />so, here's スーザン's album <span style="font-style:italic;">DO YOU BELIEVE IN MAZIC</span>. but it may as well be a Yellow Magic Orchestra album, as the backing tracks for スーザン's sporadic shouts and girlish singing are primarily supplied by the three members of YMO. of course, it doesn't sound exactly like a YMO album; on this album they were going more for a 1960s american female pop singer sound (like Lesley Gore, Little Peggy March, or The Shangri-Las, annnnd she even does a cover of The Loving Spoonful's "Do You Believe In Magic?"). <br /><br />anyways, the tunes here are totally weird and uncommonly catchy. the stand-out tracks would have to be the gorgeous "FREEZIN' FISH UNDER THE MOONLIGHT (Eatin' my backbone)" (with it's post-punk bass and faux-flute), the opening track "MODERN FLOWERS IN A BOOT" (due to the fact that it's one of the catchiest fucking songs that i have ever heard, and it's totally freaky, too), and the spooky finale ("SCREAMER"). really though, every track is superb due to the flawless production on the part of the YMO boys. there's a reason why they are the gods of synth pop, and that's because they <span style="font-style:italic;">never</span> fail to delight (whether they're working together, doing solo work, or producing for other artists). <br /><br /><br />1. Modern Flowers In A Boot<br />2. 24,000回のキッス <br />3. Dream Of You <br />4. Do You Believe In Magic?<br />5. Ah! Soka <br />6. Freezin' Fish Under The Moonlight (Eatin' My Backbone) <br />7. Glass Girl <br />8. It's No Time For You To Cry<br />9. Screamer<br /><br /><br /><a href="http://www.mediafire.com/?7gd3h4bz44e85n5">ENJOY</a>Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com5tag:blogger.com,1999:blog-1019175483960830923.post-733096662702493232012-02-03T13:49:00.000-08:002012-02-03T14:17:23.902-08:00藤真利子 - 狂躁曲<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVrKZjJwMmNLMtscZgOfWTTIrirKH4NDZtYXZnr11XkQQc0KLNCtfvKU4KDEX_LEyamRv4yuFjyPKEvMMmtmXmxHjK1MnOXai6rYkgvPM9G5_eiMh73244LbKFtQ1Ix1UubcNYtSddCIo/s1600/fuji_mariko2.jpg"><img style="cursor:pointer; cursor:hand;width: 314px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVrKZjJwMmNLMtscZgOfWTTIrirKH4NDZtYXZnr11XkQQc0KLNCtfvKU4KDEX_LEyamRv4yuFjyPKEvMMmtmXmxHjK1MnOXai6rYkgvPM9G5_eiMh73244LbKFtQ1Ix1UubcNYtSddCIo/s320/fuji_mariko2.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5705031339182194994" /></a><br />this album by the actress 藤真利子 is incredibly fucking cool. it's not terribly weird or experimental (as the album cover would seem to suggest), but it's very . . . dunno, i guess it's similar to something like 原みゆき's <span style="font-style:italic;">凛</span>; it's weird and refreshing, but only upon a second or third listen do you realize this. for example, early on in the album the fact that she uses more traditional post-enka singing style seems to make it seem more normal. though, once you go back through you start to really notice all the completely strange production techniques going on here, and the wide array of different instruments that are being put to use. <br /><br />i guess my favorite part about this album is the excellent production. it's constantly refreshing, and some of the tracks take a couple listens to really understand how complex they are. it sounds like walking through a jungle, and hearing snakes hiss and parrots caw in the distance while a butterfly with spotted wings perches on your hand. <br /><br />anyways, i've been really enjoying this a lot lately, so grab it. i'm sure you'll enjoy it. <br /><br /><br /><br />1. 薔薇<br />2. 花がたみ<br />3. 花まみれのおまえに<br />4. 真利子うらみうた<br />5. 野ざらし百鬼行<br />6. 折鶴秘唱<br />7. 雪<br />8. それがどうしたの<br />9. どんな春が<br />10. メルヘン<br />11. 鬼狂言<br />12. 危険な眠り<br />13. 裸足の伯爵夫人<br />14. Gemini VS Capricorn<br />15. 雪だより<br />16. シーズンオフの心には<br /><br /><br /><a href="http://www.mediafire.com/?060l7hs7l6l1737">ENJOY</a>Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com4tag:blogger.com,1999:blog-1019175483960830923.post-50662920045922112082012-01-23T12:39:00.000-08:002012-01-23T12:58:22.167-08:00中沢厚子 - ファースト・アルバム<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKw3oMaNC9sLUfBLSxzBjBse-M9inhJpmoSJTj7HO6Eo1yzFvmuzHuiewgcukufouaVr3OfOUsqyP9qFwrl96dOY6LQlKWbki2iCLmJAOMpeumYT-gS5GcTbEK60VXpaTm2qcS_Zxdx7s/s1600/51-GMr-CjtL._SL500_AA300_.jpg"><img style="cursor:pointer; cursor:hand;width: 300px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKw3oMaNC9sLUfBLSxzBjBse-M9inhJpmoSJTj7HO6Eo1yzFvmuzHuiewgcukufouaVr3OfOUsqyP9qFwrl96dOY6LQlKWbki2iCLmJAOMpeumYT-gS5GcTbEK60VXpaTm2qcS_Zxdx7s/s320/51-GMr-CjtL._SL500_AA300_.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5700930075521602242" /></a><br />by request, here is 中沢厚子's <span style="font-style:italic;">ファースト・アルバム</span>. overall, this is a splendid example of pre-1980s japanese pop. its elements of enka are still fairly evident, as are its folk and blues themes. so, basically, this album doesn't do anything terribly original . . . however, it's fantastic, and i would certainly suggest this to anyone looking to get into that sort of music. her voice is very angelic and completely infectious, like a perfectly made confectionery treat. <br /><br />anyways, grab this if you want to hear what most pop sounded like before idol singers became popular. <br /><br /><br />1. あなたが母を愛したように あなたが父を愛したように <br />2. かぎっこ <br />3. 春がやってきたのに <br />4. 落葉の挽歌 <br />5. 歩いて行きたいところは <br />6. あじさいの歌<br />7. 千羽鶴 <br />8. あじさいの花の下で<br />9. 浜木綿の花<br />10. 鐘が鳴る前に<br />11. いつのまにか覚えてしまった言葉 <br />12. セピア色のバラード<br />13. あやつり人形<br />14. 道草<br /><br /><br /><a href="http://www.mediafire.com/?m560sqdglq30jsi">ENJOY</a>Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com5tag:blogger.com,1999:blog-1019175483960830923.post-3383875874240250292012-01-21T14:01:00.000-08:002012-01-21T14:10:52.395-08:00黒色エレジー - Esoderic Mania<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjevKE9we-6SLUTUTIwPtHN7ewHIRT7rcXJDfkP55UZGc2W54d3fDFExHKLyxxb8fCYStqmEtNoqhRezkRmctP8XEX9ujVV-wIun7m43z3IBNuKDTTfbf0G3jZf_zFLbCiucFxEWo-dUfU/s1600/Kokushoku%252BElegy.jpg"><img style="cursor:pointer; cursor:hand;width: 233px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjevKE9we-6SLUTUTIwPtHN7ewHIRT7rcXJDfkP55UZGc2W54d3fDFExHKLyxxb8fCYStqmEtNoqhRezkRmctP8XEX9ujVV-wIun7m43z3IBNuKDTTfbf0G3jZf_zFLbCiucFxEWo-dUfU/s320/Kokushoku%252BElegy.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5700209320921474306" /></a><br />by request, here is 黒色エレジー LP <span style="font-style:italic;">Esoderic Mania</span> (i'm sure that was supposed to be <span style="font-style:italic;">"Esoteric" Mania</span>, but blame the band, not me). it's a splendid female-fronted goth album (what other kind of goth would i possibly be posting here, right?). the best part about this album, without a doubt, are those guitars. they're absolutely perfect on every song. just the right amount of new wave influence, as well (like most goth i post here, whatever). <br />the vocalist is also great, because she can switch between a high pitch little girl voice and a deep crooning voice. actually, for all i know, there may be two female vocalists, but i doubt it. <br /><br /><br />1. Sun Stroke<br />2. 邪宗門<br />3. 花粉犯罪<br />4. 夢の成る頃 <br />5. 安息日 <br />6. 鵺の想い<br />7. 太陽眼<br />8. 訪れざる宴<br />9. 満月の夜<br />10. Warrior<br />11. Goddess <br />12. 揺籃の刻 <br />13. 神々のレース<br />14. 虹と蛇のブルース <br /><br /><br /><a href="http://www.mediafire.com/?ibduhfjgq63e49d">ENJOY</a>Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com2tag:blogger.com,1999:blog-1019175483960830923.post-56320761509356306752012-01-14T12:18:00.000-08:002012-01-14T12:39:52.751-08:00SODOM - P.E. / Peak Experience<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgh081dRK2B3CK83nvZrLcGhFjt4tvBkoMb3VCZciOsl1kceZBo1QnpD5AwFF025epHf-kgY2P5Y-Bb9ptGlSm1lY-nx04wdJuLKoCAOf8XMSl5ZDDux2zlPJ7cYDZDwWRLNwh0MkAlspE/s1600/R-1926348-1253068394.jpeg"><img style="cursor:pointer; cursor:hand;width: 319px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgh081dRK2B3CK83nvZrLcGhFjt4tvBkoMb3VCZciOsl1kceZBo1QnpD5AwFF025epHf-kgY2P5Y-Bb9ptGlSm1lY-nx04wdJuLKoCAOf8XMSl5ZDDux2zlPJ7cYDZDwWRLNwh0MkAlspE/s320/R-1926348-1253068394.jpeg" border="0" alt=""id="BLOGGER_PHOTO_ID_5697584982131467458" /></a><br />so, here's another acid house album by my favorite band, SODOM. this album is at least as fabulous their self-titled album that came after this. that's all you really need to know; if you liked <span style="font-style:italic;">SODOM</span> then i can pretty much guarantee you'll like this. <br /><br />the first track, "U Can", seems to be like an early blue-print for the fantastic performance of <a href="http://www.youtube.com/watch?v=O7r-LNtOrfk">"Can U Acid?"</a> (which, tragically, does not exist on any album, single, or EP that i'm aware of). it's not quite as tight or giddy as that song that i fear was only played live, but it's still really great. <br /><br />the second track is a totally questionable remix (and re-recording of) their opus, "Beyond...". i'm not entirely sure what drove them to remake this song, but whatever; it's totally awesome/retarded. fortunately, it sounds like an entirely different song, so it's not really tainting the original. i've listened to it billions of times by now, of course, but it's still a goofy song. <br /><br />track three ("Voice In Your Eyes" . . . what?) opens with this ridiculous synthetic strings, and just gets stupider/awesomer from there. the vocals are great, though, so this is one of my favorite tracks from the album. and basically the rest of the album keeps up with this same sort of corny-awesomeness. i can't get over how much i love this album. <br /><br />also, that album cover is so excellent. it kinda reminds me of Grace Jones (and the music does have roots in disco, so this is a little fitting).<br /><br /><br /><span style="font-weight:bold;">p.s. </span>i'm almost tempted to call this a remix album, except that these are re-imaginings; all of the recordings here are fresh. <br /><br /><br />1. U Can <br />2. Beyond (Tom Tom Mix) <br />3. Voice In Your Eyes<br />4. Art Of Lav (Factory Style) <br />5. Joy & Pain <br />6. Castle In The Air (Sweet Dub) <br />7. King Of House (Groove Your Body) <br />8. Lovers Around (O・A Mix) <br />9. Egypt (Haza's Beat) <br /><br /><br /><a href="http://www.mediafire.com/?d5xiwdckaw1pef8">ENJOY</a>Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com7tag:blogger.com,1999:blog-1019175483960830923.post-5151743710165216222012-01-03T18:09:00.000-08:002012-01-03T18:22:10.065-08:00Der Eisenrost - Tokyo Fist<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnxKKz3BSFuCgfY5gMUU93tWispUEr6DKSda-DzdgKuR8KMsT0kHXdkL9Ilc_WvudQx0OSKvixBhryB8SUhpsmA8KNsUs3bRsU3RaYZe8AJ6fvM_z1Ml6f6R-jH8vAZGQ31bY57BPnfFQ/s1600/Der%252BEisenrost.png"><img style="cursor:pointer; cursor:hand;width: 320px; height: 207px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnxKKz3BSFuCgfY5gMUU93tWispUEr6DKSda-DzdgKuR8KMsT0kHXdkL9Ilc_WvudQx0OSKvixBhryB8SUhpsmA8KNsUs3bRsU3RaYZe8AJ6fvM_z1Ml6f6R-jH8vAZGQ31bY57BPnfFQ/s320/Der%252BEisenrost.png" border="0" alt=""id="BLOGGER_PHOTO_ID_5693593879108908450" /></a><br />here is a spectacular OST for a spectacular film (of the same name) by a spectacular director. 石川忠 has been a favorite composer of mine for a while now, likely because of his partnership with 塚本晋也 on some many of 塚本's films (i previously posted a compilation of songs from his TETSUO films). so, this will most certainly satisfy those who enjoyed the soundtrack to <span style="font-style:italic;">TETSUO: The Iron Man</span>. the same frantic drums and mechanical grinding percussion is on display here, and there are even moments of delicate meditation here (anytime the song "Lost" would play during <span style="font-style:italic;">TETSUO</span> i would fall under a gentle spell of reflection). <br /><br />anyways, really excellent stuff here. most certainly check this out. <br /><br /><br />1. Knock Off <br />2. Over Crowd <br />3. Gryphis Glaucus <br />4. Going Down For...<br />5. Half Truth<br />6. Move On<br />7. Selene<br /><br /><br /><a href="http://www.mediafire.com/?5rjtvth9qtwmqt9">enjoy</a>Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com5tag:blogger.com,1999:blog-1019175483960830923.post-38864992260318934722011-12-30T10:24:00.000-08:002011-12-30T10:53:31.753-08:00葛生千夏 - The City In The Sea<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjR46NU9tyYPzcespxfBwxJx3eyq4xk8QNfZ64UA_CrMYfnGWnUcAiIk_FUTvxmMFPafGzxw2fH1C95KO9jI_CxwjAMbjTjyeKAqNk9wIqqoEESO5o_H9ngRmhUy8zvgbEFHgLeYDfoO4w/s1600/R-2401945-1281991722.jpeg"><img style="cursor:pointer; cursor:hand;width: 320px; height: 318px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjR46NU9tyYPzcespxfBwxJx3eyq4xk8QNfZ64UA_CrMYfnGWnUcAiIk_FUTvxmMFPafGzxw2fH1C95KO9jI_CxwjAMbjTjyeKAqNk9wIqqoEESO5o_H9ngRmhUy8zvgbEFHgLeYDfoO4w/s320/R-2401945-1281991722.jpeg" border="0" alt=""id="BLOGGER_PHOTO_ID_5691989431153577906" /></a><br />this album is . . . a masterpiece. it's become a regular (daily) listen for me. it's such a completely magical and majestic album. when i finally heard this album after playing her <span style="font-style:italic;">St. Agnes' Eve</span> EP perhaps too many times (which of course is bullshit; i fully intend to continue to listen to that wonderful, wonderful, wonderful album), it was like a revelation. it was a breath of the purest air. <br /><br />while the songs on the aforementioned EP are beautiful, there was always something lacking there for me. on <span style="font-style:italic;">The City In The Sea</span>, the songs go beyond the two minute mark, and this gives them room to reach their full potential. i suppose i always thought to myself (about <span style="font-style:italic;">St. Agnes' Eve</span>) that the songs would sound much better if only she had allowed them to breath! and on this album she does just that. in fact, the entire reason this album is so beautiful to me is the way each song builds up to the climax. <br /><br />the highest point for me would most certainly be the luscious "The City In The Sea §1". the lyrics (taken from an E. A. Poe poem) speak of a watery realm inhabited by the dead, and presided over by Death himself. this song sums up the entire album for me. after a melancholic instrumental interlude, the song really begins, and starts to rise and rise to the beautiful ending of the song. the things this song does to me are indescribable. really, the whole album sounds like an ancient kingdom that has long been lost to the waves.<br /><br />1. The May Queen <br />2. Nature Rewards Me <br />3. A Recent Letter <br />4. Fairy-Land <br />5. The City In The Sea §1 <br />6. The City In The Sea §2 <br />7. The Voyage <br />8. Since I Left You (Sonnet 113) <br />9. Eldorado <br />10. Eulalie - A Song <br />11. 真珠<br /><br /><a href="http://www.mediafire.com/file/92dq1e1g9esg07z/Chinatsu Kuzuu - The City in the Sea CD (1991).rar">ENJOY</a>Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com2tag:blogger.com,1999:blog-1019175483960830923.post-46791063751857803252011-12-21T12:41:00.000-08:002011-12-21T12:55:30.733-08:00マサ子さん - つちのこ男爵<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiks8tF89-4aQ5Jgy-CwsmUHmxHSoWT6MYB8q-nmbMheFLldzfs37RaROsPSAsRskBbt-4gOTDH9QaTfAxVI36o1uDtP_M1CpKXKrIoq3p0WC_ALHV3XdT0WRSMEx968PQmfVcKLCcMJMo/s1600/2206544630_e4013f2fe7.jpg"><img style="cursor:pointer; cursor:hand;width: 317px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiks8tF89-4aQ5Jgy-CwsmUHmxHSoWT6MYB8q-nmbMheFLldzfs37RaROsPSAsRskBbt-4gOTDH9QaTfAxVI36o1uDtP_M1CpKXKrIoq3p0WC_ALHV3XdT0WRSMEx968PQmfVcKLCcMJMo/s320/2206544630_e4013f2fe7.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5688684680284977442" /></a><br />okay, so here's another album by the always wonderful マサ子さん. this is probably my favorite album by them, as is the most concise and consistent in sound and quality. it's a beautiful masterpiece of kawaii~ chaos. this is the album that really defines マサ子さん for me, and was the very first album i ever heard by them, annnnnnd it's the album that solidified them as my favorite nagomu related band. they are the perfect combination of punk, pop, and new wave, and i don't know why i haven't spoken more about them, to be honest. <br /><br />this album is fantastic from beginning to end, but the tracks that i replay the most would have to be "雨にヌレテモいーや", which is a really strange "Raindrops Keep Fallin' On My Head" homage, and "PSYNOMEY" which is just a really fucking catchy song. it kinda sound sinister, but not in a really threatening way. more in a cute way? i dunno, it's hard to explain. <br /><br />anyways! grab this album ASAP, because it's one of my favorites. <br /><br /><br />0. マサ子さんのテーマ<br />1. LOVE:LOVE SONG<br />2. 花梨(リーフォア)<br />3. DEVO<br />4. Nonsense Song<br />5. 雨にヌレテモいーや<br />6. PSYNOMEY<br />7. 知らぬ世界<br />8. PUNK 花梨<br />9. フルーツ オレ ヨーグルト<br />10. 夜の都会(まち)に眠れ<br />11. 車からみてね<br /><br /><br /><a href="http://www.mediafire.com/file/o489cxw6tjn7d7z/%E3%81%A4%E3%81%A1%E3%81%AE%E3%81%93%E7%94%B7%E7%88%B5.rar">ENJOY</a>Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com9tag:blogger.com,1999:blog-1019175483960830923.post-82418539193275650982011-12-11T21:25:00.000-08:002011-12-11T21:39:14.645-08:00浜田朱里 - よろしく、朱里。<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvjXHc3bOQZnV5FidRTgpK0ZWKlGofAu6eRq2ox5z318yGEWIBi_DuO2X5fltur483cCJkVuImWfzK4_R5ZxWkDJpBGlXhAdi3HQaQcH1uC9t4Sn4ClWfH79RGx7dUVB_YmGNehf2iFc8/s1600/A-1420.jpg"><img style="cursor:pointer; cursor:hand;width: 320px; height: 319px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvjXHc3bOQZnV5FidRTgpK0ZWKlGofAu6eRq2ox5z318yGEWIBi_DuO2X5fltur483cCJkVuImWfzK4_R5ZxWkDJpBGlXhAdi3HQaQcH1uC9t4Sn4ClWfH79RGx7dUVB_YmGNehf2iFc8/s320/A-1420.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5685108998158260882" /></a><br />so, i'm finally updating this stupid fucking blog because i'm a stupid fucking idiot who has too many stupid fucking papers to write, etc. anyways, you get the point: stupid fucking finally updating. and this is a stupid fucking brilliant gem of an album that i'm handing over to you now, i might mention. 浜田朱里 has become my own personal goddess. she's . . . cute, she's mysterious, she's <a href="http://www.geocities.co.jp/Technopolis/1814/chikasyagaku.jpg">gravure</a> . . . i can't stop praising her. she's that great. <br /><br />my favorite song on this album is likely the second track "あなたに熱中". it's gorgeous. but also, all of the tracks are gorgeous, so what am i even talking about. her voice is so genki. the music that accompanies her is, too. it's catchy, upbeat, and absolutely fun to listen to.<br /><br />a second favorite (it's more likely on par with the first "favorite" that i mentioned) would be the title track (of sorts) which is first glimpsed at on the weird opening track.<br /><br />it's . . . i dunno, i really just can't explain how much i love her. she's pure magic.<br /><br /><br /><br />1. INTRODUCTION -YOROSHIKU-<br />2. あなたに熱中<br />3. わたしだけのコイビト<br />4. ほほえみ乾杯<br />5. 恋のレッスン2<br />6. さよならしたくない<br />7. さよなら好き<br />8. 処女航海<br />9. 冬色のガラス<br />10. 秋のシルエット<br />11. よろしく<br /><br /><br /><a href="http://mediafire.com/file/jooqgs5cnwaapvs/%E3%82%88%E3%82%8D%E3%81%97%E3%81%8F%E3%80%81%E6%9C%B1%E9%87%8C%E3%80%82.rar">ENJOY</a>Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com4tag:blogger.com,1999:blog-1019175483960830923.post-5371559526342569102011-12-04T08:42:00.000-08:002011-12-04T08:49:35.126-08:00Exmortes - Fuckin' Nightmare<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5yeL3VEaOLnqphEWqY_OvDnY6JYyhr0IyiUkuuQs7E6POTfYgi0TZ_ic7j_NJDKWLKBJrUEWEcBcoGcV0jddSjuS9s_jDt1ZobYDl1hqEhEWw8GTGUp4V81UJMuevepl4WmAU4AMxViE/s1600/Exmortes%252B%252B_%252Bphoto.jpg"><img style="cursor:pointer; cursor:hand;width: 320px; height: 257px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5yeL3VEaOLnqphEWqY_OvDnY6JYyhr0IyiUkuuQs7E6POTfYgi0TZ_ic7j_NJDKWLKBJrUEWEcBcoGcV0jddSjuS9s_jDt1ZobYDl1hqEhEWw8GTGUp4V81UJMuevepl4WmAU4AMxViE/s320/Exmortes%252B%252B_%252Bphoto.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5682314821207227522" /></a><br />Exmortes was a dutch one-man project who recorded from 1988 to 1990. essentially, it could be argued that this dude really began the blacknoise genre. his style of black metal was raw as raw can be. the sound seems to be coming from deep underwater. <br /><br />the vocals, i should mention, are not particularly black metal. he kinda sounds like Atrax Morgue, actually; trying to speak english with a broken accent. it's really fantastic, though. <br /><br /><br />1. Fear For Hate <br />2. Boiling Blood <br />3. No Sanctuary In Death <br />4. Destroyed Land<br /><br /><br /><a href="http://www.mediafire.com/?9wdjc1stf8k0z9z">ENJOY</a>Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com1tag:blogger.com,1999:blog-1019175483960830923.post-37876694400608750252011-11-28T20:38:00.000-08:002011-11-28T20:59:38.413-08:00池玲子 - 恍惚の世界<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghBqSruMDcl0fQmNcvk-W3YBFJfeBLhzLjPwH-rUUDU90bsNlCqz01pclTJtKqc_UsB8EQmVaTyr86ien2tedrVGusch7yNf0O1rQLd5bfF2_5EQwZZq96bIAKzQeSroauec2gEgPNYPs/s1600/877c31e29fa0351d619b6110.L.jpg"><img style="cursor:pointer; cursor:hand;width: 320px; height: 316px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghBqSruMDcl0fQmNcvk-W3YBFJfeBLhzLjPwH-rUUDU90bsNlCqz01pclTJtKqc_UsB8EQmVaTyr86ien2tedrVGusch7yNf0O1rQLd5bfF2_5EQwZZq96bIAKzQeSroauec2gEgPNYPs/s320/877c31e29fa0351d619b6110.L.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5680272919120504354" /></a><br />池玲子 was, in her time, a sex goddess. she was famous for starring in pink films that doubled as action flicks (known as "pinky violence"). she starred in quite a few of them, too. these films often had strong S&M themes to them, with the women playing the parts of violent yakuza members who murdered each other in cold blood. <br /><br />this album is, for the most part, simply audio pornography; she sucks in her breath, pants, moans, grunts, wimpers, cries, winces; she makes every noise a pornographic diva can make. but, there's also this really strange growling/gurgling/purring sound rumbling around under about half of the tracks. it sounds like a distorted human voice, or something, but i'm not sure if it's supposed to be sexy or not. basically, it just sounds gross. i can't really argue for the artistic merits of this particular album, as they don't exist. it's trashy, trashy, trashy. a bit slimy, in fact. which is unfortunate, because she doesn't have a bad voice. i quite enjoy it, in fact. but, still: it's no moving work of art. it's audio porn. and yet . . . it's completely disturbing. you really must listen to it to fully understand. it makes me feel completely uncomfortable (and not because of the sex sounds). the creepy, lurking flutes and drugged piano tinkling, combined with the lethargic guitar strumming gives the album a filthy, unclean feeling. <br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ2JY3Ts_5noKGpKukgvmAdT1E3WHncZw9Xk0bHbd83_HsS2CYhvNxJuaP-FVST2kyYFSaIw4t0_YqSrvS0JlHG1bYtCsIONe85a63vdo6eOrxKM529GvKC3hAVCDITXAd7L4nHDOP3mM/s1600/eiko.jpg"><img style="cursor:pointer; cursor:hand;width: 203px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ2JY3Ts_5noKGpKukgvmAdT1E3WHncZw9Xk0bHbd83_HsS2CYhvNxJuaP-FVST2kyYFSaIw4t0_YqSrvS0JlHG1bYtCsIONe85a63vdo6eOrxKM529GvKC3hAVCDITXAd7L4nHDOP3mM/s320/eiko.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5680277721702850162" /></a><br /><br /><br />1. 女はそれをがまんできない<br />2. よこはま たそがれ<br />3. めまい<br />4. 雨がやんだら<br />5. 夜明けのスキャット<br />6. さすらいのギター<br />7. 私という女<br />8. 雨の日のブルース<br />9. 恋の奴隷<br />10. 経験<br />11. 天使になれない<br />12. 愛のきずな<br /><br /><br /><a href="http://www.mediafire.com/?6bvrbo42rgtrdyd">ENJOY</a>Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com7tag:blogger.com,1999:blog-1019175483960830923.post-19597892529487183612011-11-14T11:38:00.000-08:002011-11-15T08:22:11.856-08:00山口百恵 - としごろ<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEie4YeoY-koe0jo6cMfdNduytKwXM-mEEeNNK39_QruCV0Yr_chKhdnGf88bXgnDxAe5qVuvwTNA4Vij9di3-uEWppMm6xtAqwJxUF6cGnTMI5oJcirQSwpcuYDwG4kpQ88jj-ciIUGpKs/s1600/momoe5.png"><img style="cursor:pointer; cursor:hand;width: 320px; height: 242px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEie4YeoY-koe0jo6cMfdNduytKwXM-mEEeNNK39_QruCV0Yr_chKhdnGf88bXgnDxAe5qVuvwTNA4Vij9di3-uEWppMm6xtAqwJxUF6cGnTMI5oJcirQSwpcuYDwG4kpQ88jj-ciIUGpKs/s320/momoe5.png" border="0" alt=""id="BLOGGER_PHOTO_ID_5674939867300780786" /></a><br />by request, here's <span style="font-style:italic;">としごろ</span> by 山口百恵. she was one of the most successful idol pop singers from the 1970s (if not <span style="font-style:italic;">the</span> most successful). her first album (this one) came out when she was only thirteen years-old (1973). which is absolutely fucking crazy, considering this is <span style="font-style:italic;">not</span> the voice of a thirteen year-old girl. it's simply far too deep. and yet, it's her alright; her voice only got stronger and deeper as she got older (until her last album, which came out in 1980). on this album, though, her voice is already huskier than most adult women. <br /><br /><br />1. としごろ <br />2. ひとりぼっちのあなた <br />3. 叱らないでね <br />4. 文通 <br />5. 明日はいいことが… <br />6. あのひと <br />7. バケイション <br />8. 悲しき16才 <br />9. 可愛いベイビー<br />10. レモンのキッス<br />1. としごろ<br />2. 叱らないでね<br /><br /><br /><a href="http://www.mediafire.com/file/ccbh8mfajiiw5w4/%E3%81%A8%E3%81%97%E3%81%94%E3%82%8D.rar">ENJOY</a>Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com0tag:blogger.com,1999:blog-1019175483960830923.post-39920284052179706432011-11-08T10:58:00.000-08:002011-11-08T13:10:20.916-08:00美輪明宏 - 全曲集<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRYpw-1y6FNbsr6D8F6GnAkfwqj4gg2w2Wnbt-NwJGWrPgB504B-0-w5jxmu5IDWwbjbw8LWn5FC58v2yTHOdhiQvwS0WVcEwBIt98VSaGlreVVGwDoiA66da_UTT1fSFYV3u1_xPLVYY/s1600/0011.jpg"><img style="cursor:pointer; cursor:hand;width: 233px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRYpw-1y6FNbsr6D8F6GnAkfwqj4gg2w2Wnbt-NwJGWrPgB504B-0-w5jxmu5IDWwbjbw8LWn5FC58v2yTHOdhiQvwS0WVcEwBIt98VSaGlreVVGwDoiA66da_UTT1fSFYV3u1_xPLVYY/s320/0011.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5672702234655579826" /></a><br />美輪明宏 is an enka and cabaret singer of the highest order. she is everything a drag queen enka/cabaret (they went hand-in-hand in the 1960s) singer should be; luxurious, dramatic, fabulous, and most importantly: long suffering. she was even romantically involved with the late, great 三島由紀夫 (Mishima Yukio) at one point. Mishima was very proud of his lady-boyfriend (lol wordplay), too, to the point that he insisted that she was a <span style="font-style:italic;">must </span>for the titular role of the film adaptation of his play <span style="font-style:italic;">Black Lizard</span> (which is a great movie, by the way. if you haven't seen it then you should really make a point to do so at once). they were apparently involved for quite some time, too (although, of course, Mishima's family denies any and all allegations about his homosexuality)(also, i've always found it odd that they were so involved, considering Mishima always emphasized the beauty of masculinity in his writings). <br /><br />ANYWAYS, concerning the music here, it is very sensuous and incredibly ridiculous. at some points she will trail off from singing and go into long, dramatic, pained spoken-word rants. they are very intense monologues, and very convincing, too (which i guess is why Miyazaki Hayao has cast her in at least two of his films). the mood of the music can fluctuate very quickly, too. it's really thrilling. <br /><br />i think my favorite track presented in this collection would have to be the final track. she really displays just how powerful her voice (and acting) is here. my favorite part, actually, is the monologue. she whispers and and grumbles at first, but then her voice rises to a scream of anguish and frustration near the end of the monologue. <br /><br /><br />1. 愛の讃歌<br />2. メケ・メケ<br />3. 人の気も知らないで<br />4. 水に流して<br />5. 毛皮のマリー<br />6. ヨイトマケの唄<br />7. ボン・ボヤージュ<br />8. 人生は過ぎ行く<br />9. ふるさとの空の下で<br />10. 黒蜥蜴の唄<br />11. ラストダンスは私と<br />12. ラ・ボエーム<br />13. 愛のボレロ<br />14. 喫茶店の片隅で<br />15. 花(すべての人の心に花を)<br />16. 老女優は去りゆく<br /><br /><br /><a href="http://www.mediafire.com/?biczqd2pb9v94rb">ENJOY</a>Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com1tag:blogger.com,1999:blog-1019175483960830923.post-31363068770336614532011-11-04T14:40:00.000-07:002011-11-04T15:16:47.852-07:00gaia - genesis as ideal area<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHbXuvRu6GR104lJlJmp6WV3Wlovm4vocJJXD-P2P88lkPpr_tmxIaAUM8eUueQdR4fwI5UF1uYqSplobK1YTAiS_rE9cLpGkUL3QEsvgJ2lcfbQ22DEAFFXv7KDAHKfwVfo1XDLhkWMA/s1600/GAIA.jpg"><img style="cursor:pointer; cursor:hand;width: 320px; height: 180px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHbXuvRu6GR104lJlJmp6WV3Wlovm4vocJJXD-P2P88lkPpr_tmxIaAUM8eUueQdR4fwI5UF1uYqSplobK1YTAiS_rE9cLpGkUL3QEsvgJ2lcfbQ22DEAFFXv7KDAHKfwVfo1XDLhkWMA/s320/GAIA.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5671258976455723026" /></a><br />gaia was an incredibly short lived visual kei group. they put out only two EPs during their short existence (this one, and <span style="font-style:italic;">新未来抄</span>). which is a shame, of course, considering this is one of my favorite visual kei records from the twilight of the scene (while "visual kei" was most certainly not a genre, it is debatable that a genre did arise from the scene. many bands played, including this one, played a combination of speed/trash metal, hardcore punk, and, in the beginning, post-punk and goth. later on they would elements of pop-rock, as well. so, there is most certainly a sound that can be associated with the scene). this EP is really splendid. i guess it sounds rather similar to the sort of music that more popular bands like La'mule or Madeth gray'll were making, but gaia's music had very low-fi production, and that makes them all the more interesting. there is something very strange and minimal about this release. throughout the entire EP there are very shrill sounding synth notes that echo off and on here and there. they give the EP a ghostly sound. <br /><br />the outro (i got the track order mixed up in the upload, but the track listening i've supplied below is accurate) is very strange. it was not uncommon for many visual kei acts to include a piano piece as an outro or intro, but often they feel . . . beside the point, i guess. this is an exception. it's incredibly haunting, and it's actually my favorite track on the entire EP. i only wish there had been more like this.<br /><br />anyways, check this out ASAP.<br /><br /><br />1. forever~忘却の彼方へ~ <br />2. Revolver~理想への旋回~<br />3. 憂鬱-D-Piano Ver.1.0-<br /><br /><br /><a href="http://www.mediafire.com/?w22wby49m247jjf">ENJOY</a>Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com0tag:blogger.com,1999:blog-1019175483960830923.post-19187732628259988102011-10-26T07:43:00.000-07:002011-10-26T07:52:51.386-07:00小沢なつき - NATSUKI DREAMING<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2DhQqiZiyNBJJu1fCQxP6XdoHY0lCq5pfpEQkn0sA2qngzPIgQrOwFAwjaiGk5VTadJ2B1A86mT4FconSyj1a2kvZuvch4QhbPli76XVv07gPF0CC_C5xOu6gH5yYuuYbAo01IRbjnqE/s1600/cover.jpg"><img style="cursor:pointer; cursor:hand;width: 320px; height: 282px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2DhQqiZiyNBJJu1fCQxP6XdoHY0lCq5pfpEQkn0sA2qngzPIgQrOwFAwjaiGk5VTadJ2B1A86mT4FconSyj1a2kvZuvch4QhbPli76XVv07gPF0CC_C5xOu6gH5yYuuYbAo01IRbjnqE/s320/cover.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5667811632877998450" /></a><br />小沢なつき is a somewhat unappreciated idol pop singer. as far as i'm concerned, this is simply her best album. it's a perfect example of what a good idol pop album should sound like, and i have recently started suggesting it as a good starting point. it's that good. sure, there's not much experimentation or doom and gloom here, but it's just really, really, really consistently good. also, her voice has plenty of range (she can do an alto and a mezzo-saprano, but i guess my only complaint is that she didn't do more alto vocals). <br /><br />anyways, there are some songs here that stand out here as some of the best idol pop songs (like "Herself", "風のデッサン" or "Blessing rain"). <br /><br /><br />1.不思議Liberty <br />2.そ.の時、彼は・・・ <br />3.きれい? <br />4.Herself <br />5.猫の休日 <br />6.彼女になるまで <br />7.卒業 <br />8.裸の天使 <br />9.風のデッサン <br />10.Blessing rain<br /><br /><br /><a href="http://www.mediafire.com/?n5dors3k534aqr1">ENJOY</a>Loser Knifehttp://www.blogger.com/profile/13826956823821503922noreply@blogger.com3